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・ She Wanted a Millionaire
・ She Wanted to Marry a Hero
・ She Wants Me
・ She Wants Revenge
・ She Wants Revenge (album)
・ She Wants to Be Me
・ She Wants to Be Wanted Again
・ She Wants to Dance with Me
・ She Wants to Move
・ She Wants You
・ She Was
・ She Was a Lady
・ She Was a Queen
・ She Was an Acrobat's Daughter
・ She Was Hot
She Was Like a Wild Chrysanthemum
・ She Was Nice to Mice
・ She Was Only a Grocer's Daughter
・ She Was Pretty
・ She Was the Other
・ She Was Too Good to Me
・ She Watched the Sky
・ She Wears Red Feathers
・ She Went to the Races
・ She Who Brings Gifts
・ She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty
・ She Who Must Be Obeyed
・ She Who Must Be Obeyed (sculpture)
・ She Who Weeps
・ She Will


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She Was Like a Wild Chrysanthemum : ウィキペディア英語版
She Was Like a Wild Chrysanthemum

''She Was Like a Wild Chrysanthemum'' (''野菊の如き君なりき Nogiku no gotoki kimi nariki''), also known as ''You Were Like a Wild Chrysanthemum'' or ''My First Love Affair'', is a Japanese film directed by Keisuke Kinoshita which was initially released in 1955. It is based on a novel by Saicho Ito.〔〔 The film is set in the Meiji period. The story tells of the forbidden romance between teenaged cousins Masao and Tamiko.〔 The lovers were also inhibited by a marriage arranged by her family for Tamiko and Masao needing to go away to school.〔 The story is essentially a flashback as remembered by the 73-year-old Masao, played by Chishū Ryū, as he rides a boat back to his home village where they first fell in love.〔(【引用サイトリンク】publisher=IMDB )〕〔〔 The flashback scenes are filmed using and oval-shaped mask typically associated with silent films.〔〔 According to Alexander Jacoby, this masking gives the film "an appropriately nostalgic tone."〔 Film critic Donald Richie describes the film style as representing "Meiji daguerrotypes."
Jacoby rates ''She Was Like a Wild Chrysanthemum'' to be "among the most purely moving of Japanese films," despite its "occasional naivety."〔 He attributes this particularly to Kinoshota's "simple techniques," including "judicious choice of camera position," and to the excellent performances.〔 Richie regards the film as one of Kinoshita's "most successful" in his later style.〔 Joseph L. Anderson praises the film's photography, particularly the "rich blacks" and Kinoshita's "evocation of () area."〔 Jacek Kloiowski, et al., regard the film as "one of the most sincere and purest films of its type in Japanese cinema," noting that it marks a return to "pastoral lyricism" for Kinoshota after focusing his films on social issues for the previous few years.〔
Cinematographer Hiroshi Kusuda won the Mainichi Film Award for cinematography in 1956 for his work on ''She Was Like a Wild Chrysanthemum'' and another Kinoshita–directed film, ''The Tattered Wings''.〔(【引用サイトリンク】url=http://www.imdb.com/event/ev0001002/1956 )〕 He also won the Blue Ribbon Award for cinematography for the same two films.〔(【引用サイトリンク】url=http://www.imdb.com/event/ev0001006/1956?ref_=ttawd_ev_1 )
==References==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「She Was Like a Wild Chrysanthemum」の詳細全文を読む



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